(born in Salvador, Bahia on December 11, 1857; died in Rio de Janeiro on May 31, 1941) was a Brazilian history painter. He began his career as an artist in 1873 as a student of Victor Meirelles. In 1878 he won the first prize at the Brazilian Academy, which allowed him to travel to Paris, where he lived from 1879 to 1887 studying at the École des Beaux Arts. He was a pupil of Alexandre Cabanel and also worked with Paul-Jacques-Aime Baudry. He was a professor and later director of the Brazilian Academy, renamed School of Fine Arts ou Escola Nacional de Belas Artes at the fall of the Brazilian Empire. His students include Eliseu Visconti. He died forgotten and so poor his friends had to help the widow pay for his funeral. His paintings still hang at the National Museum Museu Nacional de Belas Artes in Rio de Janeiro.  Related Paintings of Rodolfo Amoedo :. | Jacobs departure | Portrait of Joao Timoteo da Costa | Jesus Christ in Capernaum | Bad news | Recostada |
Related Artists:
Otto Boetticher
Circa 1816-
Alfred East
(December 15, 1849 C September 28, 1913) was an English painter. He was born in Kettering in Northamptonshire and studied at the Glasgow School of Art. His romantic landscapes show the influence of the Barbizon school. His The Art of Landscape Painting in Oil Colour was published in 1906. In April 1888 he had shared an exhibition at the galleries of the Fine Art Society with T.C. Gotch and W. Ayerst Ingram, and was commissioned the following year by Marcus Huish, Managing Director of the Society, to spend six months in Japan to paint the landscape and the people of the country. When the exhibition of 104 paintings from this tour was held at the Fine Art Society in 1890 it was a spectacuar success. He was awarded a Knighthood in 1910 by King Edward VII. His portrait was painted by Philip de Laszlo. On Sunday, 28 September 1913, Alfred East died at his London residence in Belsize Park.
George Price Boyce.RWS
1826-1897 English painter. He was the son of a prosperous wine merchant and pawnbroker. His childhood was spent in London, and in 1846 he was apprenticed to the firm of architects Wyatt & Brandon, where he remained for three years. He was always fascinated by ancient buildings but gradually lost interest in architecture as a career. In 1849, perhaps as a result of meeting David Cox at Betws-y-Coed (Gwynedd, Wales), he decided to become a painter. In the early 1850s Boyce drew landscape and architectural subjects with a fluent watercolour technique derived from Cox. In 1854 Boyce made an extended journey to Italy; he painted views of buildings in Venice and Verona, which were commended by Ruskin, and semi-abstract twilight studies